Anaconda filmleri1/3/2024 Despite the ropey CGI, I actually like some of the practical effects work. I admire the cheesy monster movie aspects of it, and the cheesier moments, like a half-digested crew member taking the time to wink at Jennifer Lopez as he dies. I kinda like it, despite the fact that it’s trite and predictable, and that none of the characters feel like characters, and the CGI is dodgy. In the same way that The Expendables felt more like an actual crap eighties action movie, rather than a nostalgic throwback to one, Anaconda feels like a proper B-movie, rather than a more conventional movie with similar elements. All the elements are there, from the dodgy set-up to the poor special effects (the CGI looks terrible) to the contrived and arbitrary conclusion. The very definition of a B-movie is that it doesn’t have any of those characteristics.Īlthough it does feature Jennifer Lopez, Ice Cube, Jon Voight and Owen Wilson, Anaconda feels much closer to the actual level of those B-movies, rather than an attempt to graft some of their more recognisable elements onto a summer blockbuster. They might borrow story elements or the occasionally cheesy shot or reference, but they are all well-produced movies with high-quality production and top-tier talent. However, as much as we might look at these films as something like an evolution of the B-movie, their genetic code seems quite different. We look at films like Star Wars and The Raiders of the Lost Ark and Jurassic Park, and point out how directors like Spielberg and Lucas are “reclaiming”that sort of campy and corny old entertainment, producing it for a new audience. Film fans talk about those kind of films with a strong whiff of nostalgia, and we flock readily to any number of affectionate homages and throwbacks. We tend to look back rather fondly at B-movies. His dodgy ponytail and strange inflection seem to say, “Look, Jon Voight is just going along for the ride and enjoying it, you should too.” Voight’s performance is the one you remember after the film is over, and the guys seems to be having so much fun that it’s infectious. It’s a bad performance that would ruin any other film, but it’s so incredibly one-dimensional, so clearly focused on illustrating that this guy is the bastard ill-begotten of Dick Dastardly and Gaston from Beauty and the Beast, that it kinda works. He makes sure that, even before he’s revealed as a dangerous sociopath, he’s glowering and grimacing his way through the film, making sure that you know he’s relishing shooting poor innocent monkeys (supposedly for bait.) Of course, the script calls for him to kill a woman with his thighs (while she’s standing and he’s sitting), so I suspect Voight looked at the script and just decided to jump in with both feet.Īnd, to be honest, I kinda like it. He gives his incredibly one-dimensionally-evil character a Cuban accent for some reason, perhaps because he’d been watching Scarfacein his trailer and thought it was a good idea. His work here would have him declared “emperor of the gleefully terrible bad actors association.” In fairness, I kinda respect how far out into the realm of an awful performance he goes. Owen Wilson and the British guy from The Mummy are along for the ride, but neither of them does anything memorable.Īnd then there’s Jon Voight. ( Favourite random silly moment #1: During an early enough fight sequence, Lopez’s character proves “feisty” by biting the guy they’re overpowering.) Ice Cube isn’t a good actor in most cases, and here he’s reduced to stating the obvious. I quite like Jennifer Lopez, and she’s proven herself capable when the right script comes along, but here she’s just crap – though there isn’t a lot to work with, to be frank. On any objective level, it’s easy to criticise Anaconda. Voight leaves no acting muscle untwitched with his over-the-top and slyly humorous villain.I always had a crush on Jennifer Lopez. Thus the stage is set for the title character's revenge. As the boat heads down a tributary, Sarone blows up a tangle of vines and trees blocking their passage, causing a downpour of creepy, crawly snakes. Soon enough, Cale is in a coma, Sarone is in charge and the lost tribe is going to stay that way. Along the way, they pick up stranded snake poacher Paul Sarone (Voight). Steven Cale (Stoltz) leads a small documentary film crew down the Amazon in search of a lost tribe. Jennifer Lopez, Ice Cube, Jon Voight, Eric Stoltz, Jonathan Hyde, Owen Wilson, Karl Wuhrer and Vincent CastellanosĪ well-paced thriller. Verna Harrah, Leonard Rabinowitz and Carole Little Updated Febru| Infoplease Staff Director:
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